Single Tickets On Sale July 1.
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Wed, Thurs, Fri, Sun: $140
Subscription tickets will be mailed at the end of July.
Wed, Thurs, Fri, Sun
General Admission — $40
Juniors (under 30) — $25
Seniors (65+) — $30
General Admission — $47.50
Juniors (under 30) — $32.50
Seniors (65+) — $37.50
Subscriptions and/or group rate tickets: call the DPT office at 313-974-7918.
Single tickets go on sale July 1, 2018. Call the DSO box office at 313-576-5111.
by Dominique Morisseau
Previews October 4 and 5
Opening night October 6
Running through November 4, 2018
Dominique Morisseau, daughter of Detroit and world renowned playwright (Detroit ‘67, Skeleton Crew, Shameless, Ain’t Too Proud), brings another of her extraordinary works home to Detroit Public Theatre. In the riveting Pipeline, which premiered at Lincoln Center Theater in 2017, Morisseau gives us the story of Nya, an inner-city public high school teacher committed to her students. Desperate to give her only son the opportunities her students will never have, this mother’s hopes for her son clash with an educational system that is rigged against him.
Dominique Morisseau has written some quietly devastating social dramas (“Skeleton Crew”) on her way up, but now the playwright has definitely arrived with this emotionally harrowing, ethically ambiguous drama that raises barbed questions about class, race, parental duty, and the state of American education. –Variety
CRY IT OUT
by Molly Smith Metzler
Previews November 15 and 16
Opening night November 17
Running through December 9, 2018
Cooped up on maternity leave and eager for conversation, Jessie invites the funny and forthright Lina for coffee in their neighboring backyards. They become fast friends, quickly bonding over their shared new mom experience—and arousing the interest of a wealthy neighbor hoping for a similar connection. Cry it Out takes an honest look at the absurdities of new motherhood, the dilemma of returning to work versus staying at home, and how class impacts parenthood and friendship. This insightful comedy, written by award-winning playwright Molly Smith Metzler (Orange is the New Black, Shameless), premiered at the Humana Festival in Louisville in 2017.
A deeply felt topical drama that takes audiences on an emotional roller-coaster ride that whipsaws through laughs, poignant tears and moments of monumental rage. –LEO Weekly
by Matthew Sweet and Todd Almond
Previews March 21 and 22
Opening night March 23
Running through April 14, 2019
Romance unfolds in a new musical wound around the tender love songs of Matthew Sweet's landmark album, Girlfriend. Two teenage boys - one a social outcast, the other a quintessential jock - realize there’s more to life than what high school has taught them. This rock musical, taking place between high school graduation and the rest of life, gives voice to everyone who has ever felt they do not quite fit in - and anyone who remembers the terror and thrill of first love will relate.
Girlfriend is the breathless testimony of a fool for love, a rock ‘n’ roll valentine that delivers subtle wisdom with an exhilarating kick. –Rolling Stone
THE BEAUTY QUEEN OF LEENANE
by Martin McDonagh
Previews May 2 and 3
Opening night May 4
Running through May 26, 2019
Written by Academy Award-nominated writer Martin McDonagh (Three Billboards Outside Ebbing, Missouri), The Beauty Queen of Leenane is a groundbreaking, TONY Award-winning, wildly funny, and deeply shocking modern classic. Set in the mountains of Connemara, Ireland, it tells the story of Maureen Foley, a plain and lonely woman in her early forties; Mag, the aging, manipulative mother with whom she lives; and their toxic, caretaking relationship. When Mag interferes in Maureen’s first (and potentially last) romantic relationship, events are set in motion that are as tragically funny as they are horrific. Winner of the Drama Desk, Drama League, Lucille Lortel, and Outer Critics Circle Awards for best play, "McDonagh re-creates the traditional Irish family drama only to set it ablaze with a postmodern blowtorch." –LA Times
The extraordinary achievement of [The Beauty Queen of Leenane] is that it is wildly funny, deeply affecting and grotesquely macabre all at the same time. —The Telegraph (UK)