“All of it was impressive.” – April 28
The session began with the group arriving gradually, settling into check-in and the ring. As we moved into reflection, much of the conversation centered on the recent Volunteer Appreciation Event.
The response was overwhelmingly positive. “Did I die good?” one participant joked, sparking laughter. Others shared, “It was nice,” “It was fun,” and “All of it was impressive.” Another added, “It was pretty moving.” The group took pride in the work they presented and the impact it had.
Looking ahead, we discussed ways to build on that success. One idea was incorporating monologues at a microphone in future events, allowing voices to carry more clearly and giving performers a stronger presence in the space. The conversation expanded into artistic interests beyond the stage, with one participant sharing her experience learning guitar and playing in a band.
We then turned our focus back to The Comedy of Errors, continuing the process of refining cuts. The group engaged thoughtfully, weighing what could be trimmed while maintaining clarity and storytelling. While many cuts were agreed upon, others sparked deeper discussion, reinforcing the ensemble’s investment in the material.
Rehearsal continued with Act 3, Scene 1, as facilitators stepped into roles to support the work and ensure the scene could run fully. Ms. Matthews joined to rehearse her role, guided by the group, and the ensemble worked together to integrate her into the scene.
We closed the session by identifying next steps: preparing additional scripts, creating highlighted versions, and bringing in notecards to support the work ahead. The night ended, as always, with the ring - grounding the ensemble in shared focus and forward momentum.
“She could definitely do the entire show in Italian speed.” – April 30
This session was full of energy, experimentation, and discovery as we pushed the pace of the show in new ways.
After gathering and checking in, the group discussed upcoming props and long-term ideas for costumes, including possibilities for future funding and resource-building. The conversation reflected the ensemble’s continued commitment to problem-solving and making the work their own.
We then introduced an Italian run-through, a fast-paced rehearsal technique designed to sharpen timing and increase fluency with the text. Once casting was set, we jumped in.
The results were immediate. One participant moved through the text at an incredible speed, earning cheers from the group. Another also thrived in the exercise, maintaining clarity and energy throughout. While some found the pace more challenging, the ensemble remained engaged, pushing themselves and supporting one another.
The run revealed key moments that benefit from speed - quick exchanges, comedic beats, and high-energy sequences all gained momentum and clarity. It became clear that pacing will be a major factor in tightening the show, sometimes more than additional cuts.
As the rehearsal continued, the group navigated moments of distraction and focus, working toward maintaining the energy needed for a full run. The conversation at the end reinforced a shared commitment to improving focus and continuing to build the work together.